DIGITAL PROGRAM

LUCILLE LORTEL THEATRE

George Forbes, Executive Director
121 Christopher Street

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JACK HOLDEN (Performer/Co-Writer) Jack Holden is an Olivier Award-winning actor and writer. He trained as an actor at Bristol Old Vic Theatre School and has taken part in the Royal Court Young Writers Programme and the Channel 4 Screenwriting Course. He was recently on attachment at the National Theatre Studio and selected for the Brit List 2025.

His debut play, Cruise, a kaleidoscopic musical odyssey through Soho and the AIDS crisis of the 1980s, premiered at the Duchess Theatre in 2021 to widespread critical acclaim and was nominated for the Olivier Award for Best New Play. The production later transferred to the Apollo Theatre and has since been staged internationally, including in Mexico, South Africa and Australia, where it won a Sydney Theatre Award, with further productions forthcoming.

His follow-up play, KENREX: A True Crime Thriller, co-written with director Ed Stambollouian, premiered at Sheffield Theatres in 2024 before sell-out runs at Southwark Playhouse and The Other Palace. Jack’s performance in the production won the UK Theatre Award for Best Performer in a Play. The production was nominated for six Olivier Awards, winning Best Actor and Best Sound Design.

Jack also adapted Alan Hollinghurst’s Booker Prize-winning novel The Line of Beauty for the Almeida Theatre, directed by Michael Grandage, which played to sell-out audiences in 2025.

As an actor, Jack’s screen credits include “Ten Percent” (Amazon) and “Marriage” (BBC One), alongside work at the National Theatre, the RSC, the Almeida, regional theatres across the UK, and multiple appearances in the West End.

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ED STAMBOLLOUIAN (Director/Co-Writer) Ed Stambollouian is an Olivier-nominated theatre director and writer who trained at the Bristol Old Vic Theatre School.

His work includes KENREX (Sheffield Crucible and transfer to the Other Palace, London), Olivier-nominated as Best Director and Co-writer, Animal Farm (Royal & Derngate), Night School (Part of Jamie Lloyd’s Pinter at the Pinter West End Season), Curse of the Crackles (Shoreditch Town Hall), BLUSH (Soho Theatre & UK tour), Don’t Waste Your Bullets on the Dead (VAULT Festival), Feathers in the Snow (Unicorn Theatre), Awkward Conversations with Animals I’ve F*cked (Underbelly), Family Voices & Victoria Station (Trafalgar Studios), Finer Noble Gases & Lobby Hero (Haymarket, Masterclass), The Aliens (Trafalgar Studios 2), Elegy (Shunt Vaults).

Alongside his theatre work, Ed is a seasoned director of comedy, directing major international touring shows with digital talent, including Max Fosh: Loophole (UK, US, Australia), Daniel Howell and Phil Lester: We’re All Doomed (UK, US, Australia) and The Amazing Tour is Not on Fire (UK, US, Australia and Europe), and Sorted Food Live. He also directs the live and screen work of stand-up comedian Joe Lycett, including his Channel 4 Comedy award-winning show More, More, More: Joe Lycett.

Ed is currently under commission with Jack Holden on two major new plays.

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JOHN PATRICK ELLIOTT (Onstage Musician/Composer/Music Supervisor) John Patrick Elliott is an award-winning composer, songwriter and performer from Yorkshire, England.

He has composed and performed live multi-instrumentalist scores in the West End and for theatres across the UK, including the Royal Shakespeare Company.

In 2022, he won Best Composer at the Stage Debut Awards for his live electronic score for Cruise. This year, his composition work on KENREX: A True Crime Thriller was nominated for the Olivier Award for Outstanding Musical Contribution.

Under his alias The Little Unsaid, John has released over ten albums and toured Europe extensively, performing at major festivals and receiving radio support from Iggy Pop. For this project, he won the Steve Reid Innovation Award for boundary-pushing music creators, judged by a panel of music industry professionals including Four Tet, Floating Points and Gilles Peterson.

John also composes for film and television, with recent work including the BAFTA-nominated film Terence, and Channel 5 documentary series “China with Ben Fogle.” He is currently developing compositions for several new musicals and collaborating on several theatre projects in the UK.

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TIM CREAVIN (Understudy for Performer) Tim Creavin is a New York City-based actor and multi-hyphenate artist. His work has been seen at such NYC venues as The McKittrick Hotel, Ars Nova, The Mansion at Hudson Yards, LMCC, The Brick, Gene Frankel Theatre, IRT Theater, and BRIC Arts Media House, and regionally at the Williamstown Theatre Festival and American Stage. He was a member of the inaugural Mercury Store Acting Company. He received his BA in Theater Studies from Yale University and his MFA from the NYU Graduate Acting Program, where he was awarded the Ron Van Lieu and Shubert Scholars Scholarships.

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ALEX CROSSLAND (Understudy for Onstage Musician) Alex Crossland is an actor, singer-songwriter, and music producer living in New York City. He’s spent his early career touring the country, performing in both theatrical productions and music groups. Regional credits include: Bandstand, Once, Ring of Fire, Million Dollar Quartet, and The Hello Girls. You can find his solo music on all streaming platforms. Alex is endlessly grateful to the KENREX: A True Crime Thriller team and sends love to his friends and family. @alexcrosslandmusic

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KELLY BURKE (Voice of Annette Parker) Kelly Burke is a US actor and voice artist, often based in London. Favorite roles include: Off Broadway: Love for Sale. West End: Passion Play, Zelda, Natalie Barney’s Last Salon. Film/television: Macbeth, Bonding, Justice League, “Law and Order,” “FBI: International,” “American Gods.” Hosts the podcast “Mae Riot’s Screaming Twenties.” @kellyeburke

JAMES SOBOL KELLY (Voice of David Baird) Theatre includes: Hamlet (Royal Shakespeare Company); The Drowned Man, Faust (Punchdrunk); Cops (Southwark Playhouse); Romeo and Juliet, King Lear, The Merchant of Venice (Guildford Shakespeare); Mae Riot’s Screaming Twenties (Tilted Productions); Scorpio (Theatre503); Love Suicides (La MaMa ETC); The Tempest (American Repertory Theater); True Love (Zipper Theatre). TV includes: “Young Sherlock,” “Tom Clancy’s Jack Ryan” (Amazon Prime); “The Crown” (Netflix); “FBI: International” (CBS). Film includes: Florence Foster Jenkins, Harry Potter and the Half Blood Prince, The Two Faces of January, The Conductor, Borg vs McEnroe.

ANISHA FIELDS (Scenic & Costume Designer) Anisha Fields is a set and costume designer, and graduate of the Bristol Old Vic Theatre School. She was named as one of The Guardian’s 12 theatre stars to watch, and was a finalist for Told by an Idiot’s Naomi Wilkinson Award.

Recent and upcoming credits include As You Like It, English and King Lear First Encounters (all Royal Shakespeare Company); Choir, Mom, How Did You Meet The Beatles (both Minerva, Chichester Festival Theatre); The Limit (Royal Opera House, Linbury); A Ghost In Your Ear, Octopolis, Blackout Songs (all Hampstead Theatre); Pandemonium (Soho Theatre); The Little Prince, I Wish I Was A Mountain, Squirrel, Wendy (all The Egg, Bath Theatre Royal); Robin Hood and the Christmas Heist (Rose Theatre); Kes (Bolton Octagon/Theatre By The Lake); Walworth Farce, Yellowfin (Southwark Playhouse); Alice in Wonderland (Mercury Colchester); Who’s Afraid of Virginia Woolf? (Tobacco Factory/Salisbury Playhouse); Macbeth, A View From The Bridge, Beautiful Thing (Tobacco Factory).

Opera credits include, as costume designer, Pelleas et Mellisande, Il barbiere di Siviglia, Wahnfried (Longborough Festival Opera); Acis and Galatea (Buxton Opera House).

JOSHUA PHARO (Lighting & Video Designer) Previous theatre credits include: Measure for Measure (RSC); Noughts & Crosses (Regent’s Park); The Reckoning (Arcola); KENREX: A True Crime Thriller, Contradictions (Sheffield Theatres); Stranger Beasts, A Raisin in the Sun, The House Party, Corrina, Corrina (Headlong); The Hot Wing King, The Odyssey, Jekyll and Hyde — schools tour (National Theatre); Crave, random generations (Chichester Festival Theatre); The Human Body, Love and Other Acts of Violence (Donmar Warehouse); A Little Princess (Theatre by the Lake); A Christmas Carol (Rose); Untitled F*ck M*ss S**gon Play (Young Vic); Let the Right One In, Cosmic Scallies, How My Light is Spent (Royal Exchange); Wolf Witch Giant Fairy (Royal Opera House); Extinct (Theatre Royal Stratford East); The Litten Trees (Fuel); The Bee in Me (Unicorn); Going Through (Bush); Future Bodies (HOME); Nanjing (Sam Wanamaker Playhouse); Removal Men (Yard); Burning Doors (Belarus Free); Bodies, Midnight Movie (Royal Court).

GILES THOMAS (Sound Designer) Giles Thomas trained in Sound Technology at Liverpool Academy for Performing Arts.

Giles Thomas’ work in theatre as sound designer includes Man and Boy, The LeftBehinds at the National Theatre; KENREX at Sheffield Theatres, Southwark Playhouse and The Other Palace; A Christmas Carol(ish) at Soho Place, untitled f*ck m*ss s**gon play at the Royal Exchange Theatre, Manchester International Festival and the Young Vic; Private Lives at the Donmar; Tao of Glass at Manchester International Festival & international tour; The Comeback in the West End.

As composer and sound designer, work includes ‘Master Harold’ …and the boys and Pomona (also the Royal Exchange Theatre and the Orange Tree) at the National Theatre; Dublin Gothic and An Octoroon at the Abbey, Dublin; Safe Space, Lord of the Flies, The House Party, The Vortex, Plenty and Cock at Chichester; The Crucible, The Contingency Plan and Contractions at Sheffield Theatres; The Glass Menagerie, The Almighty Sometimes and How My Light is Spent Wish List (also Royal Court) and Yen (also Royal Court) at the Royal Exchange Theatre; The Dumb Waiter at Hampstead Theatre; Faustus: That Damned Woman at the Lyric Hammersmith and Birmingham Rep; Equus and A Streetcar Named Desire for English Touring Theatre.

SARAH GOLDING (Movement Director) Sarah Golding is a movement director and choreographer working across theatre and contemporary dance. She co-founded SAY Dance Company, whose work has featured at the National Theatre, across the West End, and internationally in New York and China. Her work on the West End production of Cruise earned her a nomination for a Black British Theatre Award. Choreographer/Movement Director credits include: KENREX: A True Crime Thriller (The Other Palace; Sheffield Theatres); Once on This Island (Theatre Royal Drury Lane); ARCANE Shanghai (Punchdrunk & SMG Live); Jamie Lloyd’s Romeo & Juliet (SAY, Duke of York’s Theatre); Jamie Lloyd’s The Effect (SAY, National Theatre; The Shed, New York); Dirty Rotten Scoundrels (Tokyo; London Palladium); Cruise (Apollo Theatre; Duchess Theatre); Donna Summer Reimagined (Roundhouse); The Songs of Joni Mitchell (Roundhouse); Dave Okumu Concert (Roundhouse); The Wizard of Oz (Watermill Theatre); Say Something (SAY, NDC Wales national and international tour); Little Women (Park Theatre); REVERB (Luail National Dance Company of Ireland tour); The Album Live (SAY, international tour); The Album (SAY, UK tour); Skool Edition (SAY, UK tour); Call to Mind (Maiden Voyage, UK tour); Kalena (Phoenix Dance Theatre); The Intro (BalletBoyz UK tour); Blood and Belief (U.Mi-1, London Fashion Week); STATE (Mapdance 2021); Into the Woods (LAMDA; Edinburgh Fringe); Amélie (Urdang); Carrie (Royal Welsh College of Music and Drama); Oh What a Lovely War (Mountview); Primetime (Royal Court). Performer credits include: STOMP (West End and international tour); The Album Live (SAY, Montreal); Commonwealth Games Opening Ceremony 2022; The Internet is Serious Business (Royal Court) Performer. Film credits include: The Marvels (Marvel Studios).

TAYLOR WILLIAMS, CSA (Casting Director) Film: Union County, Good One, Omni Loop. Broadway: Death of a Salesman, John Proctor is the Villain, All In, Romeo and Juliet, Stereophonic, Illinoise, An Enemy of the People, The Sign in Sidney Brustein’s Window, POTUS…, Slave Play, What the Constitution Means to Me. Upcoming: The Chaperones, Ancient History, Via Negativa, Thumb. TaylorWilliamsCasting.com

RAZ GOLDEN (Associate Director) Raz Golden is a director of theatre and film. His work employs new and classical stories to dissect history, performance, and pop culture, while centering the stories of people of color. He has directed and developed work with Alabama Shakespeare Festival, Oregon Shakespeare Festival, the Orchard Project, New York Theatre Workshop, Hudson Valley Shakespeare, Second Stage, the National Queer Theatre, the Mercury Store, the Public Theatre, Playwrights Horizons, and NYU Tisch. He has been a NYTW 2050 Fellow, a Drama League 2019 Fellow, and a member of Roundabout Directors Group Cohort 2. As a filmmaker he has collaborated on numerous projects with the creative agency Adventure We Can.

Directing: Julius Caesar (Hudson Valley Shakespeare), The Seven, How to Catch Creation (Juilliard), Smote This (Oregon Shakespeare Festival), The Thanksgiving Play (Dorset Theatre Festival), What the Constitution Means to Me (Weston Theatre Company), Orestes (SUNY Purchase), Golden Leaf Ragtime Blues (Shakespeare & Company). Associate Directing: KENREX (dir. Ed Stambollouian); The Picture of Dorian Gray (dir. Kip Williams); Romeo+Juliet, An Enemy of the People, Macbeth (dir. Sam Gold); Good Night Oscar (dir. Lisa Peterson).

SHOWTOWN THEATRICALS (General Manager) Broadway/tour: Titanique; Ragtime (LCT); Oh, Mary!; Parade (Broadway/tour); How to Dance in Ohio; Into the Woods (Broadway/tour); The Jimmy Awards. Off-Broadway: Audible Theater, Mexodus, Romy & Michele. Upcoming: Galileo, The Bad News Bears. showtown.nyc.

SUSAN KEAPPOCK (Company Manager)
Susan Keappock is thrilled to be joining KENREX. Selected Broadway: Liberation, Elf, The Cottage, Death of a Salesman, Chicken & Biscuits, To Kill a Mockingbird, Chicago, Wicked, Once, Rock of Ages. Off-Broadway: N/A, Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe, reasons to be pretty, [title of show]. Other: The Jimmy Awards. Graduate of Texas A&M (BBA) and Brooklyn College (MFA). Proud ATPAM member. Love to Lois, George, and Harry.

SOPHIE LARIN/LJPM (Production Manager) Recent credits: Elevator Repair Service’s Ulysses at The Public, Ethan Slater’s Marcel on the Train at Classic Stage Company, BEDLAM’s Are The Bennet Girls Ok?. Larin specializes in building immersive worlds, blending theatrical realism with cartoon textures. You can see her work in a Plus 1s sketch comedy hour, or in The Magnet’s weekly Musical Megawatt.

AMBER JOHNSON (Production Stage Manager) Off-Broadway credits: OTHER, Distant Thunder, Between Two Knees. Touring credits: SIX (Boleyn Tour), Hamilton (Philip Tour), Waitress (1st National), MOTOWN The Musical (1st & 2nd National), The Book of Mormon (2nd National), and Jersey Boys (Chicago Tour). Amber is a proud member of the Absentee Shawnee Nation of Oklahoma and graduated from the University of Oklahoma. As always, Boomer Sooner!

SYDNEY SCHEER (Stage Manager) Broadway: Stranger Things: The First Shadow, Cult of Love, Yellow Face, Suffs; Off-Broadway: Other (ShowTown), The Keep Going Songs (LCT3), The Apiary (Second Stage), Merry Me (New York Theatre Workshop), White Girl In Danger (Second Stage/Vineyard), Public Works’ The Tempest, Suffs (The Public). Love and appreciation for her family, friends, and Christian.

ARIA ENTERTAINMENT (Producer) Katy Lipson founded Aria Entertainment in 2012, producing over 80 shows across the West End, Off-West End, and UK tours. Her production of KENREX: A True Crime Thriller is the most Olivier Award-nominated new British play of the 2025–26 season, earning six nominations including Best New Play, and won two Olivier Awards: Best Actor for Jack Holden and Best Sound Design for Giles Thomas.

West End credits include Brokeback Mountain (world premiere at @sohoplace), Cruise (Olivier-nominated, Duchess Theatre & Apollo Theatre), and The Last Five Years (Garrick Theatre). UK tours include Here and Now: The Steps Musical, The Osmonds, The Cher Show, Hair, The Rise and Fall of Little Voice, and three national tours of the UK premiere production of The Addams Family. Notable London productions include From Here to Eternity, Broken Wings, Flowers for Mrs. Harris, and Zorro. From 2016 to 2019, Katy was Producing Artistic Director at Hope Mill Theatre, leading premieres of Pippin, Parade, Little Women, Yank!, Mame, and Rags.

A multiple honoree on The Stage 100, her productions of Hair, Spring Awakening, and Flowers for Mrs. Harris have won WhatsOnStage Awards.

Recent work includes The Addams Family in Concert (London Palladium), Pippin — 50th Anniversary Concert (Theatre Royal Drury Lane), Hot Mess, Ballad Lines (Southwark Playhouse), and three runs of KENREX: A True Crime Thriller (Sheffield Theatres, Southwark Playhouse, and The Other Palace).

www.aria-entertainment.com | @AriaEnts

SEAVIEW (Producer) Seaview is a Tony®, Olivier, and Peabody Award-winning theater and film company. This season: Every Brilliant Thing with Daniel Radcliffe, The Fear of 13, The Queen of Versailles starring Kristin Chenoweth with music by Stephen Schwartz, The Unknown starring Sean Hayes, Prince Faggot, The Least Problematic Woman in The World starring Dylan Mulvaney, All Out: Comedy About Ambition. Recent: Good Night, and Good Luck starring George Clooney, The Last Five Years starring Nick Jonas and Adrienne Warren, Angry Alan starring John Krasinski, My Master Builder starring Ewan McGregor and Elizabeth Debicki, Parade (National Tour), Romeo + Juliet starring Kit Connor and Rachel Zegler, All In: Comedy About Love, Hold On To Me Darling starring Adam Driver, Once Upon a Mattress starring Sutton Foster, the Tony Award®-winning Stereophonic, Sam Gold’s An Enemy of The People starring Jeremy Strong, Justin Peck and Jackie Sibblies Drury’s Illinoise, Lempicka directed by Rachel Chavkin, Danny and the Deep Blue Sea starring Aubrey Plaza and Christopher Abbott, Michael Arden’s Tony Award®-winning revival of Parade, Alex Edelman’s Emmy Award-winning Just For Us, Lorraine Hansberry’s The Sign In Sidney Brustein’s Window, Stress Positions (NEON), and Reality (HBO). Past Credits: The Old Man & The Pool, POTUS, Slave Play, Sea Wall / A Life, and Sweeney Todd at the Barrow Street Theatre. Seaview also operates Studio Seaview, a 296-seat Off Broadway Theater located at 305 West 43rd. @ThisIsSeaview @StudioSeaview

TRW PRODUCTION (Producer) Founded by Executive Producer Michael McFadden, TRW Production is dedicated to commissioning, developing, and producing new work, alongside a robust slate of stage adaptations drawn from film, literature, and music. The company operates on both sides of the Atlantic, with VP/Executive Producer Katy Lipson leading its London office. Current projects include stage adaptations of Music & Lyrics, the Warner Brothers film by Marc Lawrence (originally starring Hugh Grant and Drew Barrymore), the Todd Graff film Joyful Noise (originally starring Queen Latifah and Dolly Parton), and the Trevor de Silva film A Royal Night Out. The company is also developing A Very English Scandal, adapted from the book by John Preston. In addition to its adaptation work, TRW Production champions original musicals through programs like The Collective, a development initiative supporting emerging composers and lyricists. Its inaugural commission is the musical comedy Redcoats by RJ Christian and Cameron Reese. Co-productions include Ballad Lines (Southwark Playhouse), Romy & Michele (Off-Broadway), and Spamalot (Broadway/national tour), and the upcoming production of Hot Mess (The Other Palace).

TRUNFIO WILLMAN PRODUCTIONS (Co-Producer) Dennis Trunfio proudly helps bring conversation-starting live theatre to US and UK audiences. Broadway highlights: Two Strangers; Every Brilliant Thing; Sunset Blvd. (Tony Award®); Good Night, And Good Luck; Merrily We Roll Along (Tony Award®). Rosemary & Kenneth Willman are Tony® (Hadestown, Parade, Sunset Blvd.) and Olivier (Come From Away and Dear England) Award-winning producers who have been involved in scores of productions in New York and London, and tours around the world.

WOLK TRANSFER COMPANY (Co-Producer) Wolk Transfer Company is a Tony® and Olivier-nominated producer dedicated to the development and transfer of compelling shows that Inform, Inspire, Move and Matter. Broadway: The Hills of California, Job, Once Upon A Mattress, Prince of Broadway, Pacific Overtures. UK: KENREX, Ballad Lines, The Karate Kid – The Musical; Monsoon Season and My Name is Gideon at the Edinburgh Fringe; and the musical adaptation of The Pianist at London’s Park Theatre this fall. WolkTransfer.com @wolktransfecompany

BRYAN McCAFFREY (Co-Producer) Two-time Tony® nominee. Currently represented on Broadway with CATS: The Jellicle Ball and Operation Mincemeat. Other projects include: Beau: The Musical, When Playwrights Kill, Conversations With Mother, John Proctor is the Villain, Here & Now, and The Lion, the Witch and the Wardrobe.

JIM KIERSTEAD (Co-Producer) Jim Kierstead is a Grammy-nominated, Emmy, Olivier, and six-time Tony Award®-winning producer who has co-produced more than 35 Broadway productions, earning 18 Tony® nominations. Off-Broadway credits include Vanya, The Gospel According to Heather, Unexpected Joy, Yank!, and Thrill Me. London productions include The Code, Waitress, Dreamgirls, and Pretty Woman. Currently represented by Hadestown, The Fear of 13, Dog Day Afternoon, and Buena Vista Social Club. He is President of The York Theatre Company and founder of Broadway Virtual. www.kiersteadproductions.com

DAVID ALPERSON (Co-Producer) David Alperson is proud to be a co-producer of KENREX: A True Crime Thriller’s first American production. He has previously served as a co-producer on Broadway’s Othello and the current Off-Broadway production of Heathers. A longtime supporter of the arts, David values bold storytelling and innovative theater and appreciates the collective effort that makes live performance possible.

HARRIS RUBIN PRODUCTIONS (Co-Producer) Dede Harris has produced over 45 Broadway, Off-Broadway, and West End productions (winning twelve Tony Awards®), including Leopoldstadt; The Lehman Trilogy; Angels in America; Dear Evan Hansen.Currently: Hadestown; Cats: The Jellicle Ball. In Development: What’s Eating Gilbert Grape. Linda B. Rubin: 8 Tony Awards® including Stereophonic; The Outsiders; Hadestown. This season: Ragtime; Oedipus; Giant; Dog Day Afternoon; KENREX. West End: Romeo and Juliet; Giant; Fiddler; Hadestown. In Development: What’s Eating Gilbert Grape; Lights Out: Nat “King” Cole.

LUCILLE LORTEL THEATRE (Theatre Venue/Co-Producer) Lucille Lortel Theatre’s mission is to foster both new and established artists, increase awareness and appreciation of Off-Broadway, and uphold fair and equitable business and artistic practices in service of creating a larger, more diverse community of theatre makers and audiences. In addition to its Off-Broadway theatre, which has been in continuous operation since 1955, the company is renovating a three-story carriage house in Chelsea that will act as the company’s new headquarters and a new studio theatre committed to the development of new works. Programs include The Alcove, a commissioning and development program for early and mid-career playwrights; 121 Project, a bespoke development program for new musicals; High School Playwriting and Bennington College Fellowships; the New York Emmy-winning Dangerous Acts: A Series Uplifting Black Writers from Our Past (in partnership with HBCUs); Lucille Lortel Awards; and more. Producorial credits include Vanya; Hold On to Me Darling; KENREX: A True Crime Thriller; Grandiloquent; Kate; A Bodega Princess Remembers La Fiesta de los Reyes Magos, 1998; Medea of the Laundromat; The 7th Voyage of Egon Tichy; On Set with Theda Bara; Four Saints in Three Acts. www.lortel.org.

SEAN NYBERG (Co-Producer) With husband Paul Danforth on 40+ shows. NYC: Two Strangers…, Cats: The Jellicle Ball, The Lost Boys, Art, Oedipus, Dog Day Afternoon, Joe Turner’s Come and Gone, Proof, Every Brilliant Thing, The Fear of 13, All Out, Heathers, Spelling Bee, Waiting for Godot, Giant, The Baker’s Wife. London: Paddington, Hunger Games, Dracula, Kinky Boots, 50 First Dates, Freaky Friday, Evita (2025). Tours: Spamalot, Stereophonic, Midsomer Murders. Upcoming: Midnight, Alice in Neverland, Basura, End of the Rainbow.

PEGGY J. SCOTT (Co-Producer) Peggy J. Scott is proud to be making her co-producing debut with KENREX. She first saw the production in London and was immediately struck by its originality and felt New York should see it. In addition to her work as a performer on stage and in television and film, she is passionate about supporting innovative, meaningful work like KENREX that feels urgent and timely. She is thrilled to be part of the KENREX producing team.

TRANSATLANTIC ALLIANCE (Co-Producer) The Transatlantic Alliance is a UK and US collective of award-winning producers united by a shared belief in theatre without borders. UK producers Thomas Hopkins and Jack Maple, US producers Cason Crane and Susan Hobbs bring credits spanning West End and Broadway, including Two Strangers, Oedipus, and Sunset Blvd. Hopkins and Crane are currently developing a revised version of Boy George’s musical Taboo, to be written by KENREX star Jack Holden. www.transatlantic-alliance.com

STAFF FOR
KENREX: A TRUE CRIME THRILLER

ARIA ENTERTAINMENT
Company Director and Producer: Katy Lipson
Assistant Producer: Ylan Assefy-Drinkwater
Literary Manager: Tom Ramsay

SEAVIEW
Chief Executive Officer: Greg Nobile
Executive Assistant to Greg Nobile: Devyn Itula
Chief Operating Officer: Nate Koch
Producer: Anna Mack Pardee
Producer: Emily Bergquist
Associate Producer: Chase Parker
Creative Executive: Lizzie Stern
Head of Film: Brad Becker-Parton
Head of Television: Jess Lubben
Head of Capital Partnerships: Valerie Novakoff Britten
General Manager: Jonathan Whitton
Associate General Manager: Christophe Desorbay
Head of Operations: Jenna Ready
Co-Founder: Jana Shea

TRW PRODUCTION
Executive Producer (US): Michael McFadden
Executive Producer (UK): Katy Lipson
Project Manager: Anna DeNola
Project Co-ordinator: John Katz
Dramaturg: Tom Ramsay

GENERAL MANAGEMENT
SHOWTOWN THEATRICALS
Nathan Gehan Jamison Scott

General Manager
Miguel A. Ortiz

Additional Staff:
Director of Operations: Michael Fiske
Director of Finance: Matthew Sycle
General Manager: Rebecca Crigler
General Manager: Megan Curren
Associate General Manager: Siani Woods
Finance & Operations Associate: Alexander Friedland
Contracts Manager: Ryan Logue
Finance Assistant: Savannah Hall
General Manager, Audible Theater: Amanda Feldman
Assistant General Manager, Audible Theater: Ethan Hines
Company & General Management Fellow: Malachi Jakes
General Management Intern: Kiera Moran

COMPANY MANAGER
Susan Keappock

PRESS REPRESENTATIVE
DKC/O&M
Rick Miramontez Marie Bshara Ellie Detweiler

ADVERTISING & MARKETING
THE PEKOE GROUP

Amanda Pekoe
Jessica Ferreira
Christopher Lueck
Chase Haylon
Cody Andrus
Toby Richkind
Dounia Benabdallah
Kate Wolfel

SOCIAL MEDIA
AND THAT’S SHOWBIZ
Katharine Quinn Imani Russell Es Um

 

Production Stage Manager: Amber Johnson

Stage Manager: Sydney Scheer

Associate Director: Raz Golden

Technical Director: Devan McCulloch

Production Manager: Sophie Larin/LJPM

Associate Production Manager: Libby JVera

Assistant Production Manager: Emma Yehle

Casting Director: Taylor Williams, CSA

Music Supervisor: John Patrick Elliott

The Skidmore Singers: Pat, David, Dana, Gayaneh, Ella & Aleksander

Associate Lighting Designer: Piper Phillips

Associate Sound Designer: Alex Brock

Production Electrician: Isaac Anderson

Assistant Production Electrician: Mikelle Kelly

Lighting Programmer: Alyssa Eilbott

Head Electrician & Board Operator: Julia Mansur

Production Audio: Sarah Fox

Sound Engineer: Byron Ladd-Carr

Head Sound/A1: Chiara Pizzirusso

Assistant Sound/A2: Nicholas Kunkel

Production Video: Attilio Rigotti

Production Props Supervisor: Chelsey Hall

Production Costumes: Heather Stanley

Production Assistants: Ian Brodsky, Jack Dominguez, Georgia Evans, Raina Lawrence

Production Photographer: Matt Murphy

Key Art Photographer: Manuel Harlan

Key Artwork Designer: The Pekoe Group

The Pekoe Group Staff: Ryan Meitzler, Kelly Ganning, David Blaakman, Nicole Hatcher, Emily Huminski, Jade Kirdahy, Reggie Gordon, Jenny Dorso, Kiernan Matts, Connor Santos, Gabriel Berkowitz, Brenna Corporal, John Bourdierd, Maddie Greenberg, Emily Mayo, Audrey Armacost, Langley Hayman, Sarah Pollock, Kayla Lopez, Summer Hunter, Brian Guillaudeu, Carson Lambert, Samantha Rubnitz, Carissa Ferguson

Ticketing & Revenue Management: STANDING ROOM THEATRICAL SOLUTIONS, Oliver Roth & Daniel Neale

Accounting: WithumSmith+Brown / Robert Fried, EPA; Karen Kowgios, CPA; Anthony W. Moore, CPA; Scott Bartolf, CPA

Bookkeeper: Broadway Bookkeeping / Heather Allen

Banking: Flagstar Bank / Denisha Jenkins

Insurance: Albert G. Ruben Insurance Services / Rebecca LaFazia, Kaylee McNitt

UK Legal: Johnathan Hull Associates

UK Production Manager: James Anderton

Travel Agent: Global Travel Collection/Andi Henig, Jeanne Lafond, Vickie Okolisan

Housing Coordinator: ABA/IDEAL – Elizabeth Helke

Visa Coordination: Viva La Visa / Sian Harding, Evie Styles

UK Stage Management Consultant: Jen Davey

Merchandising: Creative Goods

Payroll: Checks and Balances Payroll

STAFF FOR THE LUCILLE LORTEL THEATRE
Executive Director: George Forbes
Artistic Director of New Play Development: Caridad Svich
Artistic Director of New Musical Development: Michael Heitzman
Artistic Director of High School Playwriting Fellowship: Kimille Howard
Senior Directors: Nancy Hurvitz and Jeffrey Shubart
General Managers: Alana Canty-Samuel, Maura Le Viness, Karla Liriano, Kathryn McCumber
Marketing and Administrative Associate: Rascher Alcasid
Operations Manager: Zebulon Brown
House Manager: Richard Abel
Head Treasurer: Maya McCullough
Assistant Operations Manager: Caden Cristiano
House Staff: Eden Aztlán, Kimberley Brandon, Aspen Narain, Elisa Rosario, Cadence Rose, Olivia Sartori, Lydia Singer, Ianne Fields Stewart, Namirah Zihniah
Digital Designer: John Hayek
Press: John Wyszniewski, Everyman Agency
Development: Advance Collaborative and Stirrup Executive Advisory Services

CREDITS AND ACKNOWLEDGEMENTS
Scenery built, and painted by Hillbolic Arts & Carpentry. Soft goods and masking Rosebrand. Sound equipment provided by Masque Sound & Recording. Lighting equipment provided by PRG.

SPECIAL THANKS
Steve Spiegel of Theatrical Rights Worldwide, Joseph Silovsky’s Metal Shop, and Paul Millar

This production was rehearsed at BAM
30 Lafayette Avenue, Brooklyn, NY 11217

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The Actors and Stage Managers employed in this production are members of the Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States.

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 10832), represents the Press Agents, Company Managers and Theatre Managers employed on this production.

The Director and Choreographer are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

United Scenic Artists · Local USA 829 of the I.A.T.S.E. represents the Designers & Scenic Artists for the American Theatre.